These features aren’t from Nazareth-they’re straight out of Nashville, taken from that city’s own Grammer acoustics, which were then popular with country artists. But the outrageous curves of its slotted headstock and bridge, that almost batwing pickguard…. Underneath, Yairi’s unique approach to scalloped X-bracing is still Martin-esque in character. Its ebony fretboard, hand-carved mahogany neck, and Grover tuners fit in with that hallowed lineage. So, what should we make of this YW-800G? It has enough abalone in its inlays and binding to go toe to toe with any top-tier Martin. Some resemble the spartan D-18 others are as decked out as a D-45. Yairi guitars were Martin copies, and great ones at that. With a small team and time-honored craftsmanship, Yairi earned a reputation as a master luthier, whether his guitars were tagged Alvarez-Yairi, Alvarez (with his signature on the label), or another brand, like his own K. Many guitarists know Kazuo Yairi’s name through his long association with Alvarez, starting in the late ’60s.
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